Sgt. Denny's Rant
Film Review:
ASK NOT
a film by Johnny Symons
ASK
NOT is the latest entry in what may be called a
new genre of films about the Don't Ask Don't Tell
repeal movement; or at least somehow relating to gay
patriotic Americans serving in the military.
Like last year's entry, TELL by independent gay
filmmaker Tom Murray, ASK NOT is a documentary telling
several simultaneous stories woven together into a
feature length film with a backdrop of historical
footage. The title: ASK NOT,
by Johnny Symons, is a clever play on the name
of the "Don't Ask Don't Tell, Don't Pursue, Don't
Harass" law enacted by Congress in 1994, which
perversely permits gay and lesbian volunteers to serve
so long as they never ever say they are gay nor act
upon it, nor marry a same sex partner. Symons
seems also to be brilliantly invoking the famed line
from President John F. Kennedy's inspirational inaugural
speech,
"Ask not what your country can do for you,
ask what you can do for your country."
Indeed, as Symons' film documents, we simply seek to
serve our country.
While
the conversely cleverly titled TELL documented the
self-told stories of mostly senior gay citizens
describing their service from World War II through
Vietnam; ASK NOT focuses more on
younger gay and lesbian Americans telling their
powerful stories to the public in order to end the
DADT policy, with some overlap between both films.
One of
three stories in ASK NOT follows SoulForce college
students in a series of actions, last year, in cities
and towns across America, in which several young
patriots seek to volunteer to serve while clearly
stating to recruiters that they are gay. They
are accompanied by 50 to 100 young supporters who
participate in the sit-ins that ensue. In each
case, the news media have been alerted in advance and are
are there to record the proceedings. The
recruiter is always excruciatingly polite in informing
the "volunteers" that according to the law he may not
enlist them into the armed forces. Then the "would-be" volunteers and
their supporters "sit down" to wait "until he
changes his mind." Eventually, the police
arrive to arrest the demonstrators for trespassing and/or blocking the entrance to the recruiting
station. The police are always excruciatingly
polite, well aware that cameras are running; there
would be no outrageous scenes of brutal bashing of
patriot minority members wanting to serve their
country. The caustic climax of each of these
encounters is the final scene of patriotic volunteers
being driven slowly away in police cars.
The
second simultaneous story in ASK NOT follows the
Call To Duty campaign on college campuses and other appearances
around the country by Alex Nicholson, his partner
Jarod Chlapowski, and others, in which they describe their
patriotic service. Alex, a multilingual military
translator, notes his particularly strategic skill in
interpreting Arabic to exemplify the folly of the
policy that removed him from performing this critical
duty. Mr. Chlapowski served for five
years without any problem, despite having been known
by all those in his unit to be openly gay. Fred
Fox, another member of the Call To Duty tour in the
film, successfully served as both an enlisted and
officer during his time in the service. He
suffers from PTSD as a result of his having been in
the rear guard, and one of the last to leave, in
the "Black Hawk Down" incident in Somalia.
The
third ASK NOT story follows "Perry," a young gay San
Francisco citizen who departs for an extended tour of
duty in Iraq. His friends bid him fond farewell,
and his story continues as he films himself on duty in
Iraq, with a camera given to him by the filmmaker.
In the poignant closing scene of ASK NOT, Perry
visits the WWII cemetery in Normandy, France, while on
leave from duty in Baghdad. Kneeling
in the rain in the field of tombstones in prayer and
tribute to his fallen comrades, he says, "I don't
think of myself as gay anymore -- I'm just a soldier.
[then there's a long pause while the film is silent,
after which he says], "but I am
gay. I put my life on the line every day for my
country. Why should I have to bear an extra
burden?"
The
thread that weaves ASK NOT together is the
historical footage of President Truman signing his
executive order, in 1948, integrating Black Americans
into the armed forces; President Clinton's campaign
promise to integrate gay people into our armed forces
and later his telling us how good a compromise DADT is
as its introduced; Congressional testimony by General
Colin Powell, Senator Sam Nunn, et al.; homophobic
commentary by Bob Maginnis; and lurid film clips of
near-naked Pride Parade revelers that had been culled
by bigots to portray us as nightmare fornicators who
would infiltrate our sacred services. Alas, I'd
like to testify about the proper straight promotion
parties I was obligated to attend with fellow senior
NCOs held at the strip clubs that surround our
military bases. I was profoundly disgusted by
the contortionist performances of the young
women obscenely entertaining our good straight and
married troops. Maybe I'm a prude, but I was struck by the irony of seeing such degenerate behavior
and how the participants could at the same time view
two men who love each other as being unfit for
service.
I could
say that I liked TELL better than ASK NOT, but to be
honest that would be because I'm one of the old "'Nam
Era" vets featured in TELL for a full five minutes
with my name subtitled in celluloid splendor. In
ASK NOT, I have only a half second cameo appearance,
on the lower left of the frame, in the crowd of young
Vassar students seated in front of the Recruiting
Station in Times Square in New York City last
summer. Ah well, such is the faded glory of an
old gay vet.
In
fact, ASK NOT adds significantly to the genre
that comprises the growing lore of gay service in our
nation's armed forces. It shows the course of
history that led to the perverse DADT policy as
compared to the courage of Truman in the earlier era
in which he led the integration of Black Americans
into our military. It bluntly portrays the
dedication of those determined to serve, and the extraordinary
courage of those now serving despite the ongoing drive
to keep them out.
Even
this brief review of the DADT film genre would be
incomplete without mentioning Courage Doesn't Ask, an
indy short by Joe Acton, which flashes back and forth
between horrific combat and the reality of the bitter
sordid hospital experience that inevitably
follows. It is only in the closing credits that
mention is made of the fact that all the actors in the
film happen to be gay combat veterans. Its
message is a bit subtle, but if one is awake and
paying attention, the meaning of the film's title
becomes eminently clear.
A
somewhat accidental entrant to the genre is Recruiter,
a feature length documentary by Edet Belzberg, shown at the Human Rights Watch
International Film Festival, which follows a rural
America recruiter and three of his recruits over a
nine-month period. As it happens, a young woman
that he recruits reveals during her training that she is a
Lesbian. The young woman came from an
impoverished background and very much patriotically
wanted to make something of herself while doing
something for her country. Unfortunately, she
realizes during her training that she cannot be true
to herself and her love and at the same time become
the soldier that the Army wants her to be. Her
experience is all too common these days as she deals,
alone and without support, with the traumatic
transition from civilian to service member while
struggling to reconcile who she is with a power
structure that rejects her existence and
individuality. The combat-decorated sergeant who
recruited her comes across as profoundly gung-ho to
the point of seeming somewhat creepy in his
psychological proselytizing and indoctrination
technique in which he tells his recruits that he is
now their parent who approves of their joining the
Army as opposed to their actual parents --some of whom
have misgivings about the war and its dangers.
This superb film is a sleeper well worth tracking down
and seeing. The cold lens of its camera
resolutely avoids commentary and judgment, leaving the
viewer to contemplate the meaning of choosing to serve
one's nation.
ASK
NOT in particular, and the other films, portray
the reality, rather than the archaic stereotype, of
patriotic Americans with the strength of character and
courage to join our armed forces and serve honorably,
regardless of sexual orientation.
Ask Not
is scheduled to be shown on the
PBS series INDEPENDENT LENS on Tuesday, June 16,
2009 at 10PM (check local listings.)
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2008-2009 Gay Military Signal
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